【现货】【翰德图书】【TASCHEN】 Julian Schnabel 美国著名当代艺术家：朱利安·施纳贝尔 英文原版艺术画册画集 mobi 下载 网盘 caj lrf pdf txt 阿里云

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Publisher : Taschen America Llc; Multilingual edition (January 7, 2024)

Language  :  Multilingual

Hardcover :  572 pages

I***N-10  :  383659630X

I***N-13 : 978-3836596305

Item Weight : 8.14 pounds

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We can now begin to gr*** why the self-portrait is so crucial in Schiele's oeuvre. Every essential facet of human life can be expressed in a self-portrait and death. It is a concave mirror in which experience of the world and the self is concentrated in one image. Viewed like this, the self-portrait in Schiele is a palpable realisation of what Paul Hatvani wrote in his 1917 Essay on Expres-sionism: "The Expressionist work of art is not only connected but indeed identical with the artists' awareness. The artist creates his world in his own image. The ego has attained mastery in divinatory manner." Hatvani's observation points the way to a re-interpretation of the myth of Narcissus, one that applies not only to the self-portraits but to Schiele's entire work. The modern Narcissus does not cr...

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朱利安-施纳贝尔（Julian Schnabel）从生活中创造艺术，从日常的织物中寻找素材。他用破碎的盘子作为不可能的画地；他在天鹅绒、市场摊位盖子、军用防水布、歌舞伎剧院背景和拳击场地板上作画，寻找那些能为画家的探索提供丰富历史的表面。1979 年，他在纽约举办了艏次个展，一夜成名，成为绘画回归的代表人物。此后，他开始运用各种媒介进行创作：制作雕塑，将他的绘画形式移植到空间中，成为原始的、看似久经考验的艺术品；执导电影，为艺术家和其他微妙的英雄人物绘制肖像；甚至在纽约建造自己梦想中的威尼斯宫殿。"我希望我的生活能融入我的作品，像压扁的汽车一样压进我的画里。如果不是这样，我的作品就只是一些东西，"施纳贝尔说，无论艺术家选择何种手段或媒介，这种紧迫感都渗透在他的作品中。这本 TASCHEN 出版社与艺术家共同编写的专著以前所未囿的深度描绘了施纳贝尔的全部作品。书中的文字由艺术家的朋友和合作者撰写： 劳里-安德森（Laurie Anderson）描绘了施纳贝尔的私密肖像；在三篇由策展人和艺术史学家撰写的文章中，埃里克-德-查西（éric de Chassey）讨论了绘画作品，邦妮-克利尔沃特（Bonnie Clearwater）讨论了雕塑作品，马克斯-霍尔林（Ma Hollein）讨论了特定场地作品；多纳蒂安-格劳（Donatien Grau）撰文介绍了艺术家在纽约西村的赊华居所 Palazzo Chupi；小说家丹尼尔-凯尔曼（Daniel Kehlmann）则探讨了他的电影作品。这本书让您可以研究施纳贝尔的作品表面以及艺术姿态和动作，为您提供了在与施纳贝尔面对面交流之外体验其艺术的蕞佳机会。

Julian Schnabel makes art out of life, finding his materials in the fabric of the everyday. He uses broken plates as an improbable picture ground; he paints on velvet, market stall covers, army tarps, kabuki theater backdrops, and boing ring floors, finding surfaces that lend their own rich history to the painter’s eploration. A figurehead for the return of painting after his overnight success with a first New York solo show in 1979, he has since worked in a wide variety of media: *** sculptures that transpose his pictorial forms into space as raw, seemingly time-worn artifacts; directing award-winning movies that paint portraits of artists and other subtly heroic figures; and even building his own dream of a Venetian palace in New York. “I want my life to be in my work, crushed into my painting like a pressed car. If it’s not, my work is just some stuff,” Schnabel has said, and this urgency permeates his oeuvre no matte***hat means or media the artist chooses.Now available in a popular edition, the complete range of Schnabel’s work is portrayed in unprecedented depth in this TASCHEN monograph, made in dialog with the artist. The tets were contributed by friends and collaborators: Laurie Anderson draws an intimate portrait of Schnabel; in three essays by curators and art-historians, éric de Chassey discusses the paintings, Bonnie Clearwater the sculpture, and Ma Hollein the site-specific work; Donatien Grau writes on the Palazzo Chupi, the artist’s etravagant home in New York’s West Village; while the novelist Daniel Kehlmann eplores his cinematic oeuvre. This edition allows you to study the surfaces and artistic gestures and acti***, offering the most generous opportunity to eperience Schnabel’s art outside of meeting it in person.