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When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." I. M. Pei: Complete Works, the first and definitive survey of the master architect, attests to this statement by showcasing Pei’s transcendent, sculptural forms in over fifty projects and more than 300 illustrati***, culminating in the last works he is currently completing. Often working in a spare geometry with a palette of stone, concrete, glass, and steel, Pei—who began his career pioneering public housing projects in New York City—has taken his vision of modern architecture across the globe with commissi*** in locati*** as diverse as Quatar, China, Luxembourg, Japan, and Germany. Meanwhile, major projects such as the JFK Library in Boston and the East Building of the National Gallery of Art in Washington, D.C., have made him a household name in the United States.

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Philip Jodidio was the editor in chief of the French art journal Connaissance des Arts from 1980 to 2002. He is the author of more than fifteen books, including monographs on Tadao Ando, Norman Foster, and Richard Meier. Janet Adams Strong is an architecture historian who has taught at Brown University and Rhode Island School of Design. She was director of communicati*** in I. M. Pei’s office for eighteen years. Carter Wiseman is the author of I. M. Pei: A Profile in American Architecture. He was New York Magazine’s architecture critic for sixteen years.

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建筑实际上是空间和造型。为 让空间和造型活起来，就必须有光线，而光线中是好的就是自然光。

在墙体和玻璃的组合中，把握二者间动态是很重要的，即要让光线在固体墙面上产生图案。

贝先生用《桃花源记》将中日两国的文化和美学联系在一起。美秀美术馆位于自然保护区，大部分建筑位于山中，以植被覆盖。贝先生的设计理念在此以最完美的施工得以呈现。贝先生在美学上与小山母女有诸多的共鸣，她们成为他最满意的业主和挚友。在之后设计苏州博物馆期间，贝先生曾两次邀请小山女士到苏州老家，特邀她参加了2006年苏州博物馆的揭幕仪式。

基普斯湾项目也说明了建筑不仅仅是盖几栋楼，一个有内涵又利落的设计可以带来影响深远的都市体验。

在许多方面都可以说，这个建筑是贝聿铭特意送给这座城市的礼物，这座城市曾经滋养过他的祖辈。这座城市收藏和展览一系列珍贵的古董以及一些妙趣横生的当代艺术作品，建筑要求遵循中国传统，并且保持适度规模，部分原因在于著名的拙政园就在旁边，这个历史街区有着严格的地区建筑原则。......在苏州的著名园林中，有一个曾经属于贝氏家族。白墙灰瓦是这个地区的典型色彩。但它绝对是现代的。相比于贝聿铭的其他公共文化类建筑，苏州博物馆的规模要小得多，它小心翼翼地置身于古老的城市中心，散发着柔软的气质，成功地诠释了在尊重传统的同时为建筑带来现代性。

很明显结构性问题是至关重要的，因为香港经常刮台风，台风的破坏力是纽约或芝加哥的大风的两倍，相当于洛杉矶地震破坏力的四倍。......为了研究出中银大厦特殊的四面体堆叠的结构，贝聿铭整个周末都把自己关在卡托纳的别墅里。他拿着四个顶端削尖、剖面是三角形的棱柱反复摆弄，最后把它们并成一束，每个棱柱都向上滑出一点，高低不同，剩下一个最高的棱柱独树一帜，这样建筑的雏形就诞生了。贝聿铭将它们比作竹子，每个中国人都会理解其中的美好寓意，象征着不屈不挠的精神和顽固的新生。

整个教堂由四块弯曲的贝壳状板块组成，后面一对较高，和前面较低的一对稍稍重叠，同时充当墙壁和房顶，建筑基底为一个不规则的六边形。……为了防止混凝土结构的壳片承重不力，决定给壳片加上支撑“肋”。按照贝聿铭一直以来的指令，“不要内部设计，要诚实设计。”这些支撑肋保护在外，让人一目了然整个建筑的结构受力分布，离地面越近，压力越集中，因此肋越粗，两肋之间的菱形空隙也越小。

这些支撑肋的模型由当地的25位木匠耗时6周完成，这个精细的建筑共用了18000根波状外形的木材，按照画的地面上完整尺寸的图纸建成。

书籍介绍

When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." I. M. Pei: Complete Works, the first and definitive survey of the master architect, attests to this statement by showcasing Pei’s transcendent, sculptural forms in over fifty projects and more than 300 illustrati***, culminating in the last works he is currently completing. Often working in a spare geometry with a palette of stone, concrete, glass, and steel, Pei—who began his career pioneering public housing projects in New York City—has taken his vision of modern architecture across the globe with commissi*** in locati*** as diverse as Quatar, China, Luxembourg, Japan, and Germany. Meanwhile, major projects such as the JFK Library in Boston and the East Building of the National Gallery of Art in Washington, D.C., have made him a household name in the United States.