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With the birth of his daughter, the sixty-three-year-old Cary Grant— still urbane, athletic, sublimely handsome, always self-effacing—retired from the screen to devote himself to his longed-for child.

In Good Stuff, Jennifer Grant writes of her enchanted but very real life with her father, playing, laughing, dining, and dancing together through the thick and thin of Jennifer’s growing up; the years of his work, his travels, his friendships with “old Hollywood royalty” (the Sinatras, the Pecks, the Poitiers, et al.) and with just plain old royalty (the Rainiers) . . . until Grant’s death at the age of eighty-two.

She writes of the love he showed her, the less*** he taught her, of his childhood as well as her own. Here are letters, notes, cards, and drawings from father to daughter and from her to him . . . p***ographstaken at home and on their many adventures . . . and bits of conversation between them (Cary Grant kept a tape recorder going for most of their time together).

Good Stuff captures the magic of a father’s devotion (and goofballness) and reveals a daughter’s special odyssey of loving, and being loved, by a dad who was Cary Grant.

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詹妮弗•格兰特出生并成长在美国加利福尼亚州洛杉矶。她毕业于斯坦福大学，获历史学学位。在成为一名演员之前，她在一家律师事务所工作过，还在沃尔夫冈帕克的Spago当过厨师。她第一次主演的角色是在亚伦•司蓓玲的《贝弗利山》，90210。后来，她还参与了《老友记》、《超人戴维》和《CSI》以及若干专题片。她和儿子加里•本杰明一起住在加州贝弗利山。

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书籍介绍

With the birth of his daughter, the sixty-three-year-old Cary Grant— still urbane, athletic, sublimely handsome, always self-effacing—retired from the screen to devote himself to his longed-for child.

In Good Stuff, Jennifer Grant writes of her enchanted but very real life with her father, playing, laughing, dining, and dancing together through the thick and thin of Jennifer’s growing up; the years of his work, his travels, his friendships with “old Hollywood royalty” (the Sinatras, the Pecks, the Poitiers, et al.) and with just plain old royalty (the Rainiers) . . . until Grant’s death at the age of eighty-two.

She writes of the love he showed her, the less*** he taught her, of his childhood as well as her own. Here are letters, notes, cards, and drawings from father to daughter and from her to him . . . p***ographstaken at home and on their many adventures . . . and bits of conversation between them (Cary Grant kept a tape recorder going for most of their time together).

Good Stuff captures the magic of a father’s devotion (and goofballness) and reveals a daughter’s special odyssey of loving, and being loved, by a dad who was Cary Grant.