滑稽图片剪接Funny CutsCarto*** and Comics in Contem Porary Art mobi 下载 网盘 caj lrf pdf txt 阿里云

As its point of departure,Funny Cuts takes, as its point of departure, Pop Art's revolutionary referencing of comics and concludes with the most current trends in contemporary art, reflecting in many diverse ways its dialogue with the commercial and trivial picture worlds of comics and carto***. Pop Art artists like Andy Warhol and Roy Lichtenstein were ground-breaking in their provocative confrontation with high and low art using motifs and references from popular comics. In the 1970s, American comics dealt with taboo subjects like ***uality and violence--here, for the first time, the subversive potential and the psychological content of comic worlds were used creatively in in fine art. Within the context of the punk movement, Raymond Pettibon and Mike Kelley were inspired by comics through wall-length drawings that made use of the narrative element of comics on the border between visual art and li***ture. And internationally today, artists question political and social realities and their own identity through the mythological potential of comics and animati***. Presented here are numerous images from roughly 100 artists that visually *** the various ways in which comics have become a form of high art.

FOREWORD

CHRISTIAN VON HOLST

FUNNY CUTS

THE WORLDS OF CARTOON AND COMIC

IMAGES IN CONTEMPORARY ART

KASSANDRA NA KAS

SUPERMAN'BIG SISTER

THE LINE IN PAINTING AFTER COMICS

ANDREAS SCHALHORN

COMICS AS MYTHOLOGY OF THE MODERN AGE

MYTHS IN A RTIONALISED WORLD

ULRICH PFARR

WORKS IN THE EXHIBITION

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