Robert Frank 罗伯特 弗兰克 mobi 下载 网盘 caj lrf pdf txt 阿里云

âWar is over; the heroic French population reaffirms superiority. Love, Paris, and Flowersâ¦but London was black, white, and gray, the elegance, the style, all present in front of always changing fog. Then I met a man from Wales talking about the Miners and I had read How Green Was My Valley. This became my only try to make a âStoryâ.â Robert Frank London/Wales brings together two distinct bodies of work to reveal a new understanding of Frankâs contribution to the history of p***ography. Juxtaposing the world of money and the world of work in post-war England, Frank p***ographed London bankers, workers, and children, and Welsh coal miners and their families. These images poetically evoke relati***hips between the classes during a time of change in Britain. Setting a significant documentary precedent for Frankâs best known work, The Americans, London/Wales ***s the artistâs early interest in social commentary, the narrative potential of p***ographic sequencing and his innovative use of the expressionistic qualities of the medium. Featuring 90 black and white p***ographs, London/Wales tells a timeless story of cities, people, and instituti*** in transition through emotional, evocative images while revealing Frankâs struggle to f***e a new form of poetic narrative p***ography. This reprint of the 2003 Scalo edition will not include the text booklet.

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"War is over; the heroic French population reaffirms superiority. Love, Paris, and Flowers but London was black, white, and gray, the elegance, the style, all present in front of always changing fog. Then I met a man from Wales talking about the Miners and I had read How Green Was My Valley. This became my only try to make a 'Story'." --Robert Frank This magnificent new edition of London/Wales, which features never-before-seen p***ographs, juxtaposes Frank's images of the elegant world of London money with the grimy working-class world of postwar Wales--bankers opposite coal miners. It brings together two distinct bodies of work, and reveals a significant documentary precedent for The Americans. In also offers an important view of Frank's development, dem***trating an early interest in social commentary, in the narrative potential of p***ographic sequencing, and innovative use of the expressionistic qualities of the medium.