马奈 Manet and the Family Romance mobi 下载 网盘 caj lrf pdf txt 阿里云

Édouard Manet's paintings have long been recognized for being visually compelling and uniquely recalcitrant. While critics have noted the presence of family members and intimates in paintings such as Le Déjeuner sur l'herbe, Nancy Locke takes an unprecedented look at the significance of the artist's family relati***hips for his art. Locke argues that a kind of mythology of the family, or Freudian family romance, frequently structures Manet's compositional decisi*** and choice of models. By looking at the representation of the family as a volatile mechanism for the development of ***uality and of repression, conflict, and desire, Locke brings powerful new interpretati*** to some of Manet's most complex works. Locke c***iders, for example, the impact of a father-son drama rooted in a closely guarded family secret: the ***ery of Manet père and the status of Léon Leenhoff. Her nuanced exploration of the implicati*** of this story--that Manet in fact married his father's mistress--makes us look afresh at even well-known paintings such as Olympia. This book sheds new light on Manet's infamous interest in gypsies, street musicians, and itinerants as Locke ***yzes the activities of Manet's father as a civil judge. She also reexamines the close friendship between Manet and the Impressionist painter Berthe Morisot, who married Manet's brother. Morisot becomes the subject of a series of meditati*** on the elusiveness of the self, the transience of identity, and conflicting concerns with appearances and respectability. Manet and the Family Romance offers an entirely new set of arguments about the cultural forces that shaped these alluring paintings.

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Édouard Manet's paintings have long been recognized for being visually compelling and uniquely recalcitrant. While critics have noted the presence of family members and intimates in paintings such as Le Déjeuner sur l'herbe, Nancy Locke takes an unprecedented look at the significance of the artist's family relati***hips for his art. Locke argues that a kind of mythology of the family, or Freudian family romance, frequently structures Manet's compositional decisi*** and choice of models. By looking at the representation of the family as a volatile mechanism for the development of ***uality and of repression, conflict, and desire, Locke brings powerful new interpretati*** to some of Manet's most complex works. Locke c***iders, for example, the impact of a father-son drama rooted in a closely guarded family secret: the ***ery of Manet père and the status of Léon Leenhoff. Her nuanced exploration of the implicati*** of this story--that Manet in fact married his father's mistress--makes us look afresh at even well-known paintings such as Olympia. This book sheds new light on Manet's infamous interest in gypsies, street musicians, and itinerants as Locke ***yzes the activities of Manet's father as a civil judge. She also reexamines the close friendship between Manet and the Impressionist painter Berthe Morisot, who married Manet's brother. Morisot becomes the subject of a series of meditati*** on the elusiveness of the self, the transience of identity, and conflicting concerns with appearances and respectability. Manet and the Family Romance offers an entirely new set of arguments about the cultural forces that shaped these alluring paintings.