The Cambridge Companion to Velázquez（I***N=9780521669405） mobi 下载 网盘 caj lrf pdf txt 阿里云

The Cambridge Companion to Velázquez offers a synthetic overview

of one of the greatest painters of Golden Age Spain and seventeenth

century Europe as a w***. With contributi*** from art historians

and those working in other disciplines, this book offers fresh

approaches to the vast li***ture on this artist. Velázquez's

portraits of his patron, King Philip IV, and his wives are examined

by two historians in an effort to rec***truct their reception and

readings by contemporaries. Two historians of Golden Age Spanish

li***ture provide an interdisciplinary account of the

relati***hips between poetry, theater, and the visual arts at the

Spanish court, as practiced by Velázquez, the poet Francisco de

Quevedo and the dramatist, Calderón de la Barca. An expert on the

history of Spanish music offers an unprecedented examination of how

instruments 'play' in Velázquez's compositi***.

1. Introduction: a brief history of Velázquez li***ture Suzanne

L. Stratton-Pruit

2. Becoming an artist in seventeenth-century Spain Zahira

Véliz

3. Velázquez and Italy Jonathan Brown

4. Velázquez and the North Alexander Vergara

5. 'Sacred and terrifying gazes': languages and images of power in

Early Modern Spain Antonio Feros

6. Court women in the Spain of Velázquez Magdalena S. Sánchez

7. Spanish religious life in the age of Velázquez Sara T.

Nalle

8. Velázquez and two poets of the Baroque: Luis de Góngora and

Francisco de Quevedo Lía Schwartz

9. Calderón de la Barca, playwright at court Margaret R.

Greer

10. Three paintings, a double lyre, opera, and Eliche's Venus:

Velázquez and music in the Royal Court in Madrid Louise K.

Stein.

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书籍介绍

The Cambridge Companion to Velázquez offers a synthetic overview of one of the greatest painters of Golden Age Spain and seventeenth century Europe as a w***. With contributi*** from art historians and those working in other disciplines, this book offers fresh approaches to the vast li***ture on this artist. The essays also guide the reader to an understanding of Velázquez's work --his training in his native Seville, reflecti*** in his oeuvre of artistic currents from outside Spain, and how Velázquez's religious paintings may be understood within the religious context of Counter-Reformation Spain.