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From the mid-1860s to the mid-1880s two artistic legends, Paul Cezanne and Camille Pissarro, executed numerous paintings side by side as they worked in Pontoise and Auvers. This book was published in conjunction with an exhibition of 74 paintings and 8 drawings that embody the core of the two artists' collaboration and explores their artistic relati***hip in detail. The artists' dynamic in***ction began with their first meeting at the Academie Suisse, Paris, circa 1861, and continued through much of their careers. To examine the techniques that Cezanne and Pissarro each adopted in resp***e to the other's work, the exhibition and book juxtapose related works by both artists, reuniting many of them for the first time since their creation. The friendship between Cezanne and Pissarro was of c***iderable importance within the development of early Modernism. An essay by Joachim Pissarro discusses this fascinating interchange and offers new insights into both the shared and the distinctive elements of the two artists' aesthetic sensibility.

Foreword

Acknowledgments

Pioneering Modern Painting

Still Modern?

Origins-Two Foreigners-The Formation of a New Language in Painting

Dialogues in Word and Paint

Reviewing the Past and Facing the End

Impressionism, Post-Impressionism-It's all Modern Painting

Plates

"Setting the Louvre on Fire: Radical Technique and Ideology in Early Works

Reciprocal Gazes: Portraits and Self-Portraits

Portraits on Paper: Drawings

Louveciennes/Louveciennes: "To Each His Own Sensation"

Still Lifes of the 1870s: A Classic Genre "Improperly" Painted

Building with Paint: Houses and Village Streets in Auvers-sur-Oise and Pontoise

A Turning Road: Experiments with Composition and the Palette Knife in 1875

Separate Paths Through a Shared Landscape: The Late 1870s and the Third Impressionist Exhibition

Contrasts in Pure Colors: L'Estaque and Pontoise

A Backward Glance: Cezanne Rec***iders Pissarro's Early Work

Salut and Farewell: A Final In***ction

Notes

Bibliography

Comparative Chronology

Index

P***ograph Credits

Lenders to the Exhibition

Trustees of The Museum of'Modern Art

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From the mid-1860s to the mid-1880s two artistic legends, Paul Cezanne and Camille Pissarro, executed numerous paintings side by side as they worked in Pontoise and Auvers. This book was published in conjunction with an exhibition of 74 paintings and 8 drawings that embody the core of the two artists' collaboration and explores their artistic relati***hip in detail. The artists' dynamic in***ction began with their first meeting at the Academie Suisse, Paris, circa 1861, and continued through much of their careers. To examine the techniques that Cezanne and Pissarro each adopted in resp***e to the other's work, the exhibition and book juxtapose related works by both artists, reuniting many of them for the first time since their creation. The friendship between Cezanne and Pissarro was of c***iderable importance within the development of early Modernism. An essay by Joachim Pissarro discusses this fascinating interchange and offers new insights into both the shared and the distinctive elements of the two artists' aesthetic sensibility.