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　　From October to December of 1888, Paul Gauguin shared a yellow

house in the south of France with Vincent van Gogh. They were the

odd couple of the art world -- one calm, the other volatile -- and

the denouement of their living arrangement was explosive. Making

use of new evidence and Van Goghs voluminous correspondence, Martin

Gayford describes not only how these two hallowed artists painted

and exchanged ideas, but also the texture of their everyday lives.

Gayford also makes a persuasive ***ysis of Van Goghs mental

illness -- the probable bipolar affliction that led him to commit

suicide at the age of thirty-seven. The Yellow House is a singular

biographical work, as dramatic and vibrant as the work of these

brilliant artists.

List of

Illustrati***

Floor

Plan of the Yellow House

1 

The Arrival: October 23, 1888

2 

Beginning and Carrying On: October 24-28'

3 

Less*** among the Tombs: October 28-November 4

4 

Collaboration: November 5"IO

5 

Perilous Memories: November 11-14

6 

Divisi***: November 15-23

7 

Musicians in Color: November 23-December 4

8 

Painting a Family: November 23-December 4

9 

Portrait of the Artist: December 4-15

1O 

Lookingat Art: December 16-10

11 

The Crisis: December 22-25

12 

Aftermath: December 26,2005

Notes on

Sources

Selected

Bibliography

Picture

Credits

Acknowledgments

Index

　　Martin Gayford was educated at Cambridge University and the

Courtauld Institute of the University of London. He is the coeditor

of The Grove Book of Art Writing. Currently the chief art critic

for Bloomberg Europe, Gayford lives in Cambridge, England, with his

wife and two children.

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但他更渴望找到一位相视而笑莫逆于心的知己，一个心照神交能道出他心中所想的知音。

只有与人相伴的时刻，才能勇敢地直视过去的回忆。

“女人”是我们的母亲，我们的女儿，我们的姊妹，她们有权决定如何谋生。

‘你沉默，那我也沉默。’

“你会将我牢记，我确定地告诉你。”

我愿去爱人，却力不从心；我愿放弃爱人，却割舍不下。——高更

编辑推荐

　　Starred Review. Van Gogh's reputation in the public

imagination has been made as much by his descent into madness as by

his art. Detailing the final year of his life and the "Studio of

the South" in which Gauguin and Van Gogh painted side by side,

Gayford brings the art back into focus. Explicati*** of the works

illuminate the collaboration—similar subjects find very different

treatment by two entirely different temperaments. Yet their

influence on each other is everywhere—a story that Van Gogh

recommends to Gauguin finds its way into a painting; Van Gogh uses

the jute canvas that is Gauguin's material of choice. While some of

this is well-trodden territory, Gayford's narrative is genuinely

dramatic as it moves toward Van Gogh's fateful end. Gayford makes

exciting new connecti*** between the tone of Van Gogh's

correspondence and known scholarship about his probable bipolar

disorder. The influences of li***ture, the news media and

so-called "hygienic excursi***" (visits to the local brothels)

percolate in these letters and under the surfaces of the artists'

canvases. So, argues Gayford, were they invading Van Gogh's mind.

Though it is impossible to entirely understand what motivated these

two great artists during thei***eeks together in Arles, these pages

deliver as close and vivid an image as may be possible. 60 b&w

illus. (Publishers Weekly )Adult/High School–In an accessible and

even affectionate work of art history, Gayford tells of the two

artists who lived and worked in the South of France in the fall of

1888. Their story is told in short episodes, rec***tructed through

the formal ***ysis and comparison of the paintings they created

during this period, and through letters and newspapers that place

the work in the context of the contemporary art world, popular

li***ture, and current events. Their time together culminated in

Van Gogh's famous ear-cutting incident (which is revealed on the

jacket copy), teens with an interest in the artist's colorful yet

short life may take to Gayford's somewhat breathless approach

leading up to the big event. The author delights in the quotidian

details of his story: the joint visits to local brothels, how the

weather may have affected work habits, Gauguin's cooking skills.

The biggest drawback is the use of small black-and-white p***os of

paintings. Suggest that teens read this alongside larger monographs

with color reproducti*** to appreciate the art fully.–Jenny Gasset,

Orange County Public Library, CA --(School Library Journal )

书籍介绍

From October to December of 1888, Paul Gauguin shared a yellow house in the south of France with Vincent van Gogh. They were the odd couple of the art world -- one calm, the other volatile -- and the denouement of their living arrangement was explosive. Making use of new evidence and Van Goghs voluminous correspondence, Martin Gayford describes not only how these two hallowed artists painted and exchanged ideas, but also the texture of their everyday lives. Gayford also makes a persuasive ***ysis of Van Goghs mental illness -- the probable bipolar affliction that led him to commit suicide at the age of thirty-seven. The Yellow House is a singular biographical work, as dramatic and vibrant as the work of these brilliant artists.