Renaissance Figures of Speech(I***N=9780521866408) mobi 下载 网盘 caj lrf pdf txt 阿里云

　　The Renaissance saw a renewed and energetic engagement with

classical rhetoric; recent years have seen a similar revival of

interest in Renaissance rhetoric. As Renaissance critics

recognised, figurative language is the key area of intersection

between rhetoric and li***ture. This book is the first modern

account of Renaissance rhetoric to focus solely on the figures of

speech. It reflects a belief that the figures exemplify the larger

concerns of rhetoric, and connect, directly or by ***ogy, to

broader cultural and philosophical concerns within early modern

society. Thirteen authoritative contributors have selected a

rhetorical figure with a special currency in Renaissance writing

and have used it as a key to one of the period's characteristic

modes of perception, forms of argument, states of feeling or styles

of reading.

Introduction: the figures in Renaissance theory and practice

Sylvia Adamson, Gavin Alexander and Katrin Ettenhuber

1. Synonymia: or, in othe***ords Sylvia Adamson

2. Compar or Parison: measure for measure Russ McDonald

3. Periodos: squaring the circle Janel Mueller

4. Puns: serious wordplay Sophie Read

5. Prosopopoeia: the speaking figure Gavin Alexander

6. Ekphrasis: painting in words Claire Preston

7. Hysteron proteron, or the preposterous Patricia Parker

8. Paradiastole: redescribing the vices as virtues Quentin

Skinner

9. Syncrisis: the figure of contestation Ian Donaldson

10. Testimony: the artless proof R. W. Serjeantson

11. Hyperbole: exceeding similitude Katrin Ettenhuber

12. Metalepsis: the boundaries of metaphor Brian Cummings

13. The vices of style William Poole

暂无相关内容，正在全力查找中

暂无出版社相关信息，正在全力查找中！

暂无相关书籍摘录，正在全力查找中！

在线阅读地址：Renaissance Figures of Speech(I***N=9780521866408)在线阅读

在线听书地址：Renaissance Figures of Speech(I***N=9780521866408)在线收听

在线购买地址：Renaissance Figures of Speech(I***N=9780521866408)在线购买

暂无原文赏析，正在全力查找中！

书籍介绍

The Renaissance saw a renewed and energetic engagement with classical rhetoric; recent years have seen a similar revival of interest in Renaissance rhetoric. As Renaissance critics recognised, figurative language is the key area of intersection between rhetoric and li***ture. This book is the first modern account of Renaissance rhetoric to focus solely on the figures of speech. It reflects a belief that the figures exemplify the larger concerns of rhetoric, and connect, directly or by ***ogy, to broader cultural and philosophical concerns within early modern society. Thirteen authoritative contributors have selected a rhetorical figure with a special currency in Renaissance writing and have used it as a key to one of the period's characteristic modes of perception, forms of argument, states of feeling or styles of reading.