The Cambridge Introduction to Shakespeare's Comedies（I***N=9780521672696） mobi 下载 网盘 caj lrf pdf txt 阿里云

　　Why did theatre audiences laugh in Shakespeare's day? Why do

they still laugh now? What did Shakespeare do with the conventi***

of comedy that he inherited, so that his plays continue to amuse

and move audiences? What do his comedies have to say about love,

***, gender, power, family, community, and class? What place have

pain, cruelty, and even death in a comedy? Why all those puns? In a

survey that travels from Shakespeare's earliest experiments in

farce and courtly love-stories to the great romantic comedies of

his middle years and the mould-breaking experiments of his last

decade's work, this book addresses these vital questi***. Organised

thematically, and covering all Shakespeare's comedies from the

beginning to the end of his career, it provides readers with a map

of the playwright's comic styles, showing how he built on comedic

conventi*** as he further enriched the possibilities of the

genre.

Preface

1 Introduction: comedy as idea and practice

2 Farce: The Comedy of Errors, The Taming of the Shrew, The Merry

Wives of Windsor

3 Courtly lovers and the real world: Two Gentlemen of Verona, A

Midsummer Night’s Dream, The Merchant of Venice

4 Comedy and language: Love’s Labour’s Lost

5 Romantic comedy: Much Ado About Nothing, As You Like It, Twelfth

Night

6 Problematic plots and endings: clowning and comedy post-Hamlet :

Measure for Measure, All’s Well That Ends Well, The Winter’s Tale,

Cymbeline, The Tempest

7 The afterlives of Shakespeare’s comedies

Conclusion

Further reading

Notes

Index

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书籍介绍

Why did theatre audiences laugh in Shakespeare's day? Why do they still laugh now? What did Shakespeare do with the conventi*** of comedy that he inherited, so that his plays continue to amuse and move audiences? What do his comedies have to say about love, ***, gender, power, family, community, and class? What place have pain, cruelty, and even death in a comedy? Why all those puns? In a survey that travels from Shakespeare's earliest experiments in farce and courtly love-stories to the great romantic comedies of his middle years and the mould-breaking experiments of his last decade's work, this 2008 book addresses these vital questi***. Organised thematically, and covering all Shakespeare's comedies from the beginning to the end of his career, it provides readers with a map of the playwright's comic styles, showing how he built on comedic conventi*** as he further enriched the possibilities of the genre.