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Focusing on his activity in Hamburg from 1767 until his death in 1788, this collection of essays explores the li***ry and aesthetic contexts of C.P.E. Bach's late***ork. It includes essays on Bach's position on contemporary concepts of resp***iveness, his sacred music and views on religion, and on the contemporary and posthumous reception of his music. The volume seeks to re-establish the centrality of Bach's music in late 18th-century German culture.

List of plates

Notes on contributors

Acknowledgments

List of abbreviati***

Introduction

Annette Richards

1　Diderot's Paradoxe and C. P. E. Bach's Empfindungen

Richard Kramer

2　Dark fantasies and the dawn of the selfi Gerstenberg's monologues for C. P. E. Bach's C minor Fantasia

Tobias Plebuch

3 Sources of C. P. E. Bach's solo keyboard works in the Sing-Akademie archives

Darrell M. Berg

4 Reason and revelation in C. P. E. Bach's resurrection oratorio

Richard will

5 C. P. E. Bach and C. C. Sturm: sacred song, public church service, and private devotion

Ulrich Leisinger

6 An enduring monument: C. P. E. Bach and the musical sublime

Annette Richards

7 C. R E. Bach and the living traditi*** of learned counterpoint

David Yearsley

8 Plates for sale:C.P.E.Bach and the story of Die Kunst der Fuge

David Ferris

9 "Our old great favourite":Burney,Bach,and the Bachists

Christopher Hogwood

Index

ANNETTE RICHARDS is Associate Professor of Music and University Organist at Cornell University. She is the author of The Free Fantasia and the Musical Picturesque (Cambridge, 2001), and co-editor of Acting on the Past: Historical Performance Across the Di

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书籍介绍

Focusing on his activity in Hamburg from 1767 until his death in 1788, this collection of essays explores the li***ry and aesthetic contexts of C.P.E. Bach's late***ork. It includes essays on Bach's position on contemporary concepts of resp***iveness, his sacred music and views on religion, and on the contemporary and posthumous reception of his music. The volume seeks to re-establish the centrality of Bach's music in late 18th-century German culture.