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Giovanni Antonio C*** (1697-1768), known as C***etto, is one of the most popular of all old master painters. His views of Venice and London are much celebrated and admired. First published in 1982, this revised book traces C***etto's career from his beginnings as a scene-painte***ith his father to the work of his later years in artists. C***etto was interested in depicting the world around him, but unlike most of his fellow artists, but he was more than a mere recorder of the amazing scenery of Venice or of Ge***ian England. He had the power, in the words of one of his contemporaries, to paint so that "the eye is deceived and truly believes it is the real thing it sees", and his insight and technical skills were so dazzling that it was thought he must rely on some sort of optical apparatus. His first views of Venice were painted around 1725 for Stefano Conti of Lucca. Soon after he came into contact with Joseph Smith, British C***ul in Venice, who was to become his most important patron. Through Smith's influence, he came to England between about 1746 and 1756 during which time he painted many London scenes including views of Westminster Bridge, Whitehall, the Old Horse Guards, St James's Park and Somerset House as well as views of Warwick Castle and Eton College. These and many others of C***etto's best paintings and watercolours are reproduced in the book's much expanded range of colour illustrati***.

1　An Age of Illusion

2 The Theatre Renounced

3 Change of Course

4 An English Merchant

5 Pen and Ink

6 The Eye is Deceived

8 A Friend in Need

9 London, That Spacious City

10 Escape from Reality

11 The Last Years

12 Epilogue

CHRONOLOGY

SOURCES AND

ACKNOWLEDGEMENTS

LIST OF PLATES

INDEX

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Giovanni Antonio C*** (1697-1768), known as C***etto, is one of the most popular of all old master painters. His views of Venice and London are much celebrated and admired. First published in 1982, this revised book traces C***etto's career from his beginnings as a scene-painte***ith his father to the work of his later years in artists. C***etto was interested in depicting the world around him, but unlike most of his fellow artists, but he was more than a mere recorder of the amazing scenery of Venice or of Ge***ian England. He had the power, in the words of one of his contemporaries, to paint so that "the eye is deceived and truly believes it is the real thing it sees", and his insight and technical skills were so dazzling that it was thought he must rely on some sort of optical apparatus. His first views of Venice were painted around 1725 for Stefano Conti of Lucca. Soon after he came into contact with Joseph Smith, British C***ul in Venice, who was to become his most important patron. Through Smith's influence, he came to England between about 1746 and 1756 during which time he painted many London scenes including views of Westminster Bridge, Whitehall, the Old Horse Guards, St James's Park and Somerset House as well as views of Warwick Castle and Eton College. These and many others of C***etto's best paintings and watercolours are reproduced in the book's much expanded range of colour illustrati***.