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　　Few artists have created as much controversy or survived it

with greater fame than Edouard Manet. In his day, the avant-garde

was not only a challenge to the traditi*** of art, but it was also

a guns*** fired at society as a w***. With his painting Olympia

(1869), Manet was to become, to quote Degas, as famous as

Garibaldi. Yet how the urbane and diffident son of a bourgeois

family became the father of both Realism and Impressionism is a

complex and fascinating story that has too often been reduced to

textbook clichés. As Manet has become recognized as a touchstone

for historical change but also for interpretati*** of how that

change came about, his individual story has become all the more

relevant to the study of art history. Moreover, far from being an

artists to shrink behind his work, one of Manets most

characteristic practices was to leave an indelible trace of his own

personal identity within his paintings, as illustrated throughout

the volume by eminent scholar James H. Rubin. This lavishly

illustrated volume is presented in a handsome box set, and offers a

comprehensive and original angle of study on the great master.

INTRODUCTION: MY MANET

　Manet et manebit

I. NEITHER SAILOR,

  NOR BOHEMIAN,

  NOR DANDY: A CONTRARIAN

　Myths of Marginality

　The Family Way

II. THE ARTIST-PERFORMER:

　A PAINTER OF MODERN LIFE

　Musicians and Assemblies

　Manet and Baudelaire

　Polichinelle's Theater

III. NAKED PAINTING:

　 THE PROSTITUTE EFFECT

　Farce or Scandal?

　The Sex of Paint

　Mirroring a Working God

IV. GLOBAL DIALOGUES:

　MODERNITY AND TRADITION

　Northern Traditi***

　Color and Spain

　Realism and Artifice

　in Japan

V. INITIAL M: SIGNATURES

  AND THE DOUBLE SELF

　Ironic Touches

　Sign(rid) Manet

　Male ***, Engendering Women

　……

　　James Rubin is professor of Art History at the State

University of New York at Stony Brook, and is widely known for his

work on nineteenth-century French art. He has published on subjects

from Realism through Post-Impressionism, especially on the artists

Courbet, Manet and the Impressionists. 

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书籍介绍

An authoritative work on Edouard Manet, viewed by many as the father of modern painting. Few artists have created as much controversy as Manet: his avant-garde work not only challenged the traditi*** of art, but also addressed society as a w***. With his painting Olympia (1869), he was to become, to quote Degas, "as famous as Garibaldi." Yet how the diffident son of a bourgeois family became the father of both realism and impressionism is a complex story that has too often been overlooked. As Manet has rightly become recognized as a touchstone for historical change, his personal story has become all the more relevant to the study of art history. This lavishly illustrated volume, presented in a handsome slipcase, offers a comprehensive study of the great master.