Claes Oldenburg Drawings in the Whitney Museum of American Art mobi 下载 网盘 caj lrf pdf txt 阿里云

Best known for recasting familiar objects in unfamiliar textures, media, and dimensi***, Claes Oldenburg has long challenged his audience to rethink the everyday with works such as French Fries and Ketchup (1963) and Soft Toilet (1966). Oldenburg's masterful drawings reveal another facet of this pioneering artist, inviting viewers to enter his "fantasy' as they explore Oldenburg's relati***hip with the medium, from sensitive early explorati*** to ve***n campaigns as a refined and accomplished draftsman.

Drawing is crucial to Oldenburg's art: drawings note the beginning of an idea; they develop the thought; they give birth to his sculptures. The medium offers a flexibility particularly suited to the artist's extraordinary visi***, enhancing the effectiveness of his manipulati*** of scale and perspective in sculpture. Pieces such as Proposed Colossal Monument for Central Park North, N.Y.C.- Teddy Bear (1965); Various Positi*** of a Giant Lipstick to Replace the Fountain of Eros, Piccadilly Circus, London (1966); Proposal for a Cathedral in the Form of a Colossal Faucet, Lake Union, Seattle (1972); and Blueberry Pie a la Mode, Sliding down a Hill (1996) usher viewers into a chimerical world of the mundane made significant.

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Best known for recasting familiar objects in unfamiliar textures, media, and dimensi***, Claes Oldenburg has long challenged his audience to rethink the everyday with works such as French Fries and Ketchup (1963) and Soft Toilet (1966). Oldenburg's masterful drawings reveal another facet of this pioneering artist, inviting viewers to enter his "fantasy' as they explore Oldenburg's relati***hip with the medium, from sensitive early explorati*** to ve***n campaigns as a refined and accomplished draftsman.

Drawing is crucial to Oldenburg's art: drawings note the beginning of an idea; they develop the thought; they give birth to his sculptures. The medium offers a flexibility particularly suited to the artist's extraordinary visi***, enhancing the effectiveness of his manipulati*** of scale and perspective in sculpture. Pieces such as Proposed Colossal Monument for Central Park North, N.Y.C.- Teddy Bear (1965); Various Positi*** of a Giant Lipstick to Replace the Fountain of Eros, Piccadilly Circus, London (1966); Proposal for a Cathedral in the Form of a Colossal Faucet, Lake Union, Seattle (1972); and Blueberry Pie a la Mode, Sliding down a Hill (1996) usher viewers into a chimerical world of the mundane made significant.