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　　Erik Desmazières is acknowledged as a contemporary master of

the art of etching. With breathtaking virtuosity, he recreates

interiors, cityscapes, landscapes and fantastical compositi*** from

a Piranesian world. Any new work Desmazières produces is a

bibliophile’s delight; and this book, the first in which he uses

colour, reimagines the arcane world of the cabinet of curiosities:

antiquarian collecti*** of the recondite, rare and bizarre, which

reminded the viewer of the vanity of earthly life. Patrick

Mauriès’s text is in three parts. The first locates Desmazières and

his work in the long tradition of artist-printmakers; the second

surveys the world of 17th-century antiquarianism and its intriguing

cast of characters (John Evelyn, John Aubrey and, above all, Thomas

Browne, plus many of their continental counterparts); and in the

third Mauriès examines today’s reawakened interest in cabinets of

rarities and curiosities, and c***iders how a phenomenon once

c***idered the preserve of specialists has entered the cultural

mainstream.

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　　Erik Desmazières, a member of France’s elite Académie des

Beaux-Arts, is represented in numerous public and private

collecti*** all over the world.

　　Patrick Mauriès is the author of Cabinets of Curiosities and

founder of Le Promeneur, a Parisian publishing house that has

restored authors both ancient and modern to their place in the

li***ry world.

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书籍介绍

Erik Desmazieres is acknowledged as a contemporary master of the art of etching. With breathtaking virtuosity, he recreates interiors, cityscapes, landscapes and fantastical compositi*** from a Piranesian world. Any new work Desmazieres produces is a bibliophiles delight; and this book, the first in which he uses colour, reimagines the arcane world of the cabinet of curiosities: antiquarian collecti*** of the recondite, rare and bizarre, which reminded the viewer of the vanity of earthly life. Patrick Mauriess text is in three parts. The first locates Desmazieres and his work in the long tradition of artist-printmakers; the second surveys the world of 17th-century antiquarianism and its intriguing cast of characters (John Evelyn, John Aubrey and, above all, Thomas Browne, plus many of their continental counterparts); and in the third Mauries examines today's reawakened interest in cabinets of rarities and curiosities, and c***iders how a phenomenon once c***idered the preserve of specialists has entered the cultural mainstream.