【翰德图书】刚刚好的不努力：别让「压力」大过你的实力！ 港台原版图书籍台版正版繁体中文 井上智介 心灵 方言文化 mobi 下载 网盘 caj lrf pdf txt 阿里云

暂无相关简介，正在全力查找中！

暂无相关目录，正在全力查找中！

暂无相关内容，正在全力查找中

暂无出版社相关信息，正在全力查找中！

暂无相关书籍摘录，正在全力查找中！

在线阅读地址：【翰德图书】刚刚好的不努力：别让「压力」大过你的实力！ 港台原版图书籍台版正版繁体中文 井上智介 心灵 方言文化在线阅读

在线听书地址：【翰德图书】刚刚好的不努力：别让「压力」大过你的实力！ 港台原版图书籍台版正版繁体中文 井上智介 心灵 方言文化在线收听

在线购买地址：【翰德图书】刚刚好的不努力：别让「压力」大过你的实力！ 港台原版图书籍台版正版繁体中文 井上智介 心灵 方言文化在线购买

What c***titutes the unity of In search of Lost Time? We know, at least, what does not. It is not recollection, memory, even involuntary memory.

The worldly sign does not refer to something, it "stands for it", claims to be equivalent to its meaning.It anticipates action as it does thought, annuls thought as it does action, and declares itself adequate: whence its stereotyped ***ect and its vacuity. We must not thereby conclude that such signs are negligible.The apprenticeship would be imperfect and even impossible if it did not pass through them. These signs are empty, but this emptiness confers upon them a ritual perfection, a kind of formalism we do not encounter elsewhere.

An artist does not "age" because he re peats himsell, for repetition is the power of difference, no less than difference the power of repetition. An artist"ages"when, "by exhaustion of his brain, " he decides it is ***r to find directly in life, as though ready-made, what he can express only in his work, what he should have distinguished and repeated by means of his work (I, 852). The aging artst puts his trust in life, in the "beauty of life" he gets no more than substitutes fo***hat c***tatutes art, repetiti*** that have become mechanical bcause they are external, frozen differences that revert to a substance that they can no longer make light and spiritual. Life does not have the two powers of art; it receives them only by corrupting them and reproduces essence only on the lowest lev...

To fall in love is to individualize someone by the signs he bears or emits. It is to become sensitive to these signs, to undergo an apprenticeship to them (thus the slow individualization of Albertine in the group of young girls). It may be that friendship is nourished on observation and conversation, but love is born from and nourished on silent interpretation.

The beloved appears as a sign, a “soul”; the beloved expresses a possible world unknown to us, implying, enveloping, imprisoning a world that must be deciphered, that is, interpreted. What is involved, here, is a plurality of worlds; the pluralism of love does not concern only the multiplicity of loved beings, but the multiplicity of souls o***orlds in each of them. To love is to try to explicate, to develop these unknown worlds that remain enveloped within the beloved.

Who searches for truth? The jealous man, under the pressure of the beloved’s lies.

暂无其它内容！