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In a landmark epic of fantasy and storytelling, Philip Pullman invites readers into a world as convincing and thoroughly realized as Narnia, Earthsea, or Redwall. Here lives an orphaned ward named Lyra Belacqua, whose carefree life among the scholars at Oxford's Jordan College is shattered by the arrival of two powerful visitors. First, her fearsome uncle, Lord Asriel, appears with evidence of mystery and danger in the far North, including p***ographs of a mysterious celestial phenomenon called Dust and the dim outline of a city suspended in the Aurora Borealis that he suspects is part of an alternate universe. He leaves Lyra in the care of Mrs. Coulter, an enigmatic scholar and explore***ho offers to give Lyra the attention her uncle has long refused her. In this multilayered narrative, however, nothing is as it seems. Lyra sets out for the top of the world in search of her kidnapped playmate, Roger, bearing a rare truth-telling instrument, the compass of the title. All around her children are disappearing—victims of so-called "Gobblers"—and being used as subjects in terrible experiments that separate humans from their daem***, creatures that reflect each person's inner being. And somehow, both Lord Asriel and Mrs. Coulter are involved.

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In 1946, acclaimed author Philip Pullman was born in Norwich, England, into a Protestant family. Although his beloved grandfathe***as an Anglican priest, Pullman became an atheist in his teenage years. He graduated from Exeter College in Oxford with a degree in English, and spent 23 years as a teache***hile working on publishing 13 books and numerous short stories. Pullman has received many awards for his li***ture, including the prestigious Carnegie Medal for exceptional children's li***ture in 1996, and the Carnegie of Carnegies in 2006. He is most famous for his His Dark Materials trilogy, a series of young *** fantasy novels which feature free-thought themes. The novels cast ***anized religion as the series' villain. Pullman told The New York Times in 2000: "When you look at what C.S. Lewis is saying, his message is so anti-life, so cruel, so unjust. The view that the Narnia books have for the material world is one of almost undisguised contempt. At one point, the old professor says, 'It's all in Plato'—meaning that the physical world we see around us is the crude, shabby, imperfect, second-rate copy of something much better. I want to emphasize the *** physical truth of things, the absolute primacy of the material life, rather than the spiritual or the afterlife." He argues for a "republic of heaven" here on Earth.

In 2007, the first novel of the His Dark Materials trilogy was adopted into the motion picture The Golden Compass by New Line Cinema. Many churches and Christian ***anizati***, including the Catholic League, called for a boycott of the film due to the books' atheist themes. While the film was successful in Europe and moderately received in the United States, the other two books in the trilogy were not be adapted into film, possibly due to pressure from the Catholic Church. When questioned about the anti-church views in His Dark Materials, Pullman explains in an interview for Third Way (UK): “It comes from history. It comes from the record of the Inquisition, persecuting heretics and torturing Jews and all that sort of stuff; and it comes from the other side, too, from the Protestants burning the Catholics. It comes from the insensate pursuit of innocent and crazy old women, and from the Puritans in America burning and hanging the witches—and it comes not only from the Christian church but also from the Taliban. Every single religion that has a monotheistic god ends up by persecuting other people and killing them because they don't accept him. Wherever you look in history, you find that. It's still going on" (Feb. 2002). Pullman has received many threats by ardent believers over his choice of subject matter.

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很多人都希望他们的精灵是狮子，可最后却成了狮子狗。除非他们试着接受自己的本性，否则是高兴不起来的。浪费感情，就是这样。

塞拉分娜 佩卡拉想了想，然后说：“斯科尔斯比先生，也许我们在说＂选择＂的时候，和你说的不是一回事。女巫们一无所有，所以我们对保值或者创利都不感兴趣；至于在两者之间进行选择，当你能活上数百年的时候，你就知道每个机会都会再来。.……除了互相帮助以外，我们没有其它可供交换的东西。如果某个女巫需要什么，另一个女巫就会给她。如果需要打仗，那么要付出什么代价并不是我们在决定是否应该进行战斗时考虑的一个因素。我们也没有任何荣誉观，比如说像披甲熊那样。侮辱披甲熊是十分危险的，对我们来说这难以想像。你怎么可能让女巫感到受到侮辱呢？就算你侮辱了她，那又能怎么样呢？”

一间办公室里的一个粗鲁男子告诉他们，他们可以在那只熊六点钟下班的时候找到他

书籍介绍

In a landmark epic of fantasy and storytelling, Philip Pullman invites readers into a world as convincing and thoroughly realized as Narnia, Earthsea, or Redwall. Here lives an orphaned ward named Lyra Belacqua, whose carefree life among the scholars at Oxford's Jordan College is shattered by the arrival of two powerful visitors. First, her fearsome uncle, Lord Asriel, appears with evidence of mystery and danger in the far North, including p***ographs of a mysterious celestial phenomenon called Dust and the dim outline of a city suspended in the Aurora Borealis that he suspects is part of an alternate universe. He leaves Lyra in the care of Mrs. Coulter, an enigmatic scholar and explore***ho offers to give Lyra the attention her uncle has long refused her. In this multilayered narrative, however, nothing is as it seems. Lyra sets out for the top of the world in search of her kidnapped playmate, Roger, bearing a rare truth-telling instrument, the compass of the title. All around her children are disappearing—victims of so-called "Gobblers"—and being used as subjects in terrible experiments that separate humans from their daem***, creatures that reflect each person's inner being. And somehow, both Lord Asriel and Mrs. Coulter are involved.