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Hieronymus Bosch was painting terrifying yet strangely likable m***ters, often with a touch of humour, long before computer games were invented. His works are assertive statements about the mental illness that befalls any man who aband*** the teachings of Christ. With a life that spanned 1450 to 1516, Bosch was born at the height of the Renaissance and witnessed its religious wars. Medieval traditi*** and values were crumbling, paving the way to thrust man into a new universe where faith had lost its power and much of its magic. Bosch set out to warn doubters of the perils awaiting all and any who lost their faith in God. His favorite allegories were hell, heaven and lust. He held that everyone had to choose between one of two opti***: either heaven or hell. Bosch brilliantly exploited the symbolism of a wide range of fruits and plants to lend ***ual overtones to his themes, which author Virginia Pitts Rembert meticulously deciphers to provide readers with new insight into this fascinating artist and his works.

Priface

Introduction

ChapterⅠ:The Li***ture on Bosch to Wilhelm Franger

ChapterⅡ: Franger's Thesis (Epiphanies and Absurdities)

ChapterⅢ: Franger and Beyond

ChapterⅣ: A More Prosaic View

ChapterⅤ: Saint Antony,the Devil and other sources from Bosch's Worlk

ChapterⅥ: The Lisbon triptych

Conclusion

Endnotes

Biblography

Index of illustrati***

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书籍介绍

Hieronymus Bosch was painting terrifying yet strangely likable m***ters, often with a touch of humour, long before computer games were invented. His works are assertive statements about the mental illness that befalls any man who aband*** the teachings of Christ. With a life that spanned 1450 to 1516, Bosch was born at the height of the Renaissance and witnessed its religious wars. Medieval traditi*** and values were crumbling, paving the way to thrust man into a new universe where faith had lost its power and much of its magic. Bosch set out to warn doubters of the perils awaiting all and any who lost their faith in God. His favorite allegories were hell, heaven and lust. He held that everyone had to choose between one of two opti***: either heaven or hell. Bosch brilliantly exploited the symbolism of a wide range of fruits and plants to lend ***ual overtones to his themes, which author Virginia Pitts Rembert meticulously deciphers to provide readers with new insight into this fascinating artist and his works.