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　　In English Ethnicity and Race in Early Modern Drama, Mary

Floyd-Wilson outlines what we might call 'scientific' concepti***

of racial and ethnic differences in sixteenth- and

seventeenth-century English writing. Drawing on classical and

contemporary medical texts, histories and cosmographies,

Floyd-Wilson ***s that Renaissance understandings of racial

and ethnic identities contradicted many modern stereotypes

concerning difference. Southerners, Africans, in particular, were

identified as dispassionate, cool-tempered and wise, whereas the

more northern English were understood to be unruly, impressionable

and slow-witted. Concerned with the unflattering and c***training

implicati*** of this classically derived knowledge, English writers

laboured to reinvent ethnology to their own advantage - a labour

that paved the way for the invention of more familiar racial ideas.

Floyd-Wilson highlights these English revisionary efforts in her

surprising and transformational readings of the period's drama,

including Marlowe's Tamburlaine, J***on's The Masque of Blackness

and Shakespeare's Othello and Cymbeline.

List of illustrati***

Acknowledgements

Introduction: the marginal English

Part I. Climatic Culture: The Transmissi*** and Transmutati*** of

Ethnographic Knowlege: 1. The ghost of Hippocrates: geohumoral

history in the West

2. British ethnology

3. An inside story of race: melancholy and ethnology

Part II. The English Ethnographic Theatre: 4. Tamburlaine and the

staging of white barbarity

5. Temperature and temperance in Ben J***on's The Masque of

Blackness

6. Othello's jealousy

7. Cymbeline's angels

Notes

Index.

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书籍介绍

In English Ethnicity and Race in Early Modern Drama, first published in 2003, Mary Floyd-Wilson outlines what we might call 'scientific' concepti*** of racial and ethnic differences in sixteenth- and seventeenth-century English writing. Drawing on classical and contemporary medical texts, histories and cosmographies, Floyd-Wilson ***s that Renaissance understandings of racial and ethnic identities contradicted many modern stereotypes concerning difference. Southerners, Africans, in particular, were identified as dispassionate, cool-tempered and wise, whereas the more northern English were understood to be unruly, impressionable and slow-witted. Concerned with the unflattering and c***training implicati*** of this classically derived knowledge, English writers laboured to reinvent ethnology to their own advantage - a labour that paved the way for the invention of more familiar racial ideas. Floyd-Wilson highlights these English revisionary efforts in her surprising and transformational readings of the period's drama, including Marlowe's Tamburlaine, J***on's The Masque of Blackness and Shakespeare's Othello and Cymbeline.