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The Book of the Courtier (1528) is a series of fictional conversati*** by courtiers of the Duke of Urbino that takes place in 1507, while Castiglione was himself attaché to the Duke. Today the Book remains the most reliable and illuminating account of Renaissance court life and of what it took to be the "Perfect Courtier" and "Court Lady." The Singleton translation—the most acclaimed and accurate available-is accompanied by annotati***.

"Criticism" features ten essays on The Book of the Courtier, which represent the best interpretati*** from the United States, Italy, and England including the backgrounds-rich essays by Amedeo Quondam and James Hankins. A Selected Bibliography, a Chronology, and an Index are included.

No other series of classic texts equals the caliber of the Norton Critical Editi***. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotati*** allow each text to meet the highest li***ry standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editi*** are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

Preface

The Text of The Book of the Courtier

The Book of the Courtier

INDEX OF PERSONS AND ITEMS

Criticism

Amedeo Quondam·On the Genesis of the Book of the Courtier

Harry Berger Jr.·Sprezzatura and the Absence of Grace

Virginia Cox·Castiglione's Cortegiano: The Dialogue as a

Drama of Doubt

Daniel Javitcb·ll Cortegiano and the C***traints of Despotism

Eduardo Saccone·The Portrait of the Courtier in Castiglione

Joan Kelly-Gadol·Did Women Have a Renaissance?

David Quint·Courtier, Prince, Lady: The Design of the Book of the Courtier

Wayne Rebhorn·Ottaviano's Interruption

James Hankins·Renaissance Philosophy and Book IV of II Cortegiano

Peter Burke·The Courtier Abroad: Or, the Uses of Italy

Baldassare Castiglione: A Chronology

Selected Bibliography

DANIEL J***I***H is Professor of Comparative li***ture at New York University. He is the author of poetry and Courtliness in Renaissance England and Proclaiming a Classic: The Canonization of “Orlando Furioso.” He is and associate editor of Renaissance Q

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“It holds true as well in music, wherein it is a great mistake to place two perfect c***onances one after another, for our sense of hearing abhors this, whereas it often enjoys a second or a seventh which in itself is a harsh and unbearable discord. And this is due to the fact that to continue in perfect c***onances generates satiety and gives evidence of a too affected harmony, which is avoided when imperfect c***onances are mixed in, establishing a kind of comparison, by which our ears are held in greater suspense, and more avidly wait upon and enjoy the perfect c***onances, delighting in that discord of the second or seventh as in something that shows nonchalance.”

All women have a great desire to be--and when they cannot be, at least to seem--beautiful. Therefore, wherever nature has failed in this regard, they try to remedy it whith artifice:whence that embellishing of the face with so much care and sometimes with pain, that plucking of the eyebrows and the forehead, and the use of all those methods and the enduring of those nuisances which you ladies think are hidden to men, but which are well known.

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The Book of the Courtier (1528) is a series of fictional conversati*** by courtiers of the Duke of Urbino that takes place in 1507, while Castiglione was himself attaché to the Duke. Today the Book remains the most reliable and illuminating account of Renaissance court life and of what it took to be the "Perfect Courtier" and "Court Lady." The Singleton translationthe most acclaimed and accurate availableis accompanied by annotati***. "Criticism" features ten essays on The Book of the Courtier , which represent the best interpretati*** from the United States, Italy, and England including the backgrounds-rich essays by Amedeo Quondam and James Hankins. A Selected Bibliography, a Chronology, and an Index are included. About the series : No other series of classic texts equals the caliber of the Norton Critical Editi*** . Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotati*** allow each text to meet the highest li***ry standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editi*** are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.