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　　This Companion explores the remarkable variety of forms that

Shakespeare's life and works have taken over the course of four

centuries, ranging from the early modern theatrical marketplace to

the age of mass media, and including stage and screen performance,

music and the visual arts, the television serial and popular prose

fiction. The book asks what happens when Shakespeare is

popularized, and when the popular is Shakespeareanized; it queries

the factors that determine the definiti*** of and boundaries

between the legitimate and illegitimate, the canonical and the

authorized and the subversive, the oppositional, the scandalous and

the inane. Leading scholars discuss the ways in which the plays and

poems of Shakespeare, as well as Shakespeare himself, have been

interpreted and reinvented, adapted and parodied, transposed into

other media, and act as a source of inspiration fo***riters,

performers, artists and film-makers worldwide.

Preface Robert Shaughnessy

1. From popular entertainment to li***ture Diana E.

Henderson

2. Shakespeare abbreviated Peter Holland

3. Shakespearean stars Barbara Hodgdon

4. Shakespeare illustrated Stephen Orgel

5. Shakespeare: myth and biographical fiction Douglas Lanier

6. Narration and staging in Hamlet and its afternovels Laurie

Osborne

7. Shakespeare serialised: An Age of Kings Emma Smith

8. Musical Shakespeares: attending to Ophelia, Juliet and Desdemona

Stephen M. Buhler

9. Shakespeare overheard: performances, adaptati*** and citati***

on radio Susanne Greenhalgh

10. Shakespeare on the tourist trail Nicola J. Watson

11. Performing Shakespeare in digital culture W. B. Worthen

12. Shakespeare's popular face: from the playbill to the poster

Carol Chillington Rutter

Further reading.

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书籍介绍

This collection is designed for readers interested in seeing Shakespeare’s life and works in the context of popular forms of performance, li***ture, media, music and art, from their original circumstances of composition to the present day. Essays address topics such as tourism, television serialization and the Shakespearean pop song.