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A writer renowned for his insight into the mysteries of the body

now gives us a lambent and profoundly moving book about the

mysteries of family. At its center lies Sherwin Nuland’s

Rembrandtesque portrait of his father, Meyer Nudelman, a Jewish

garment worke***ho came to America in the early years of the last

century but remained an eternal outsider. Awkward in speech and

movement, broken by the premature deaths of a wife and child, Meyer

ruled his youngest son with a regime of rage, dependency, and

helpless love that outlasted his death.

In evoking their relati***hip, Nuland also summ*** up the warmth

and claustrophobia of a vanished immigrant New York, a world that

impelled its children toward success yet made them feel like

traitors for leaving it behind. Full of feeling and unwavering

observation, Lost in America deserves a place alongside such

classics as Patrimony and Call It Sleep.

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Sherwin B. Nuland, M.D., is the author of How We Die:

Reflecti*** on Life’s Final Chapter. He is clinical professor of

surgery at Yale, where he also teaches bioethics and medical

history. In addition to his numerous articles for medical

publicati***, he has written for The New Yorker, The New Republic,

the New York Times, Time, and the New York Review of Books. He

writes a regular column for The American Scholar entitled “The

Uncertain Art.” Dr. Nuland and his family live in Connecticut.

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编辑推荐

Riveting. . . . A classic second-generation immigrant memoir. .

. . A great book, full of feelings and memories that ring true.

--The New York Times Book Review

A tale with universal resonance. . . unsparing, deeply felt and

searching. --Los Angeles Times Book Review

Intensely attuned to small gestures of suffering and

c***olation, Nuland studies his family . . .with pained, humane

attentiveness. A supremely gentle book. --San Francisco

Chronicle

Remarkable. . . . A tragic portrait that is both terrible and

beautiful in its clarity. --Seattle Times -- Review

书籍介绍

A writer renowned for his insight into the mysteries of the body now gives us a lambent and profoundly moving book about the mysteries of family. At its center lies Sherwin Nuland’s Rembrandtesque portrait of his father, Meyer Nudelman, a Jewish garment worke***ho came to America in the early years of the last century but remained an eternal outsider. Awkward in speech and movement, broken by the premature deaths of a wife and child, Meyer ruled his youngest son with a regime of rage, dependency, and helpless love that outlasted his death.

In evoking their relati***hip, Nuland also summ*** up the warmth and claustrophobia of a vanished immigrant New York, a world that impelled its children toward success yet made them feel like traitors for leaving it behind. Full of feeling and unwavering observation, Lost in America deserves a place alongside such classics as Patrimony and Call It Sleep .