预售 英文预定 The Aesthetic Paths of Philosophy: Presentation in Kant, Heidegger, Lacoue-Labarthe, a mobi 下载 网盘 caj lrf pdf txt 阿里云

This book examines the ways that Heidegger, Lacoue-Labarthe, and Nancy adopt and reconfigure the Kantian understanding of "aesthetic presentation." In Kant, "aesthetic presentation" is understood in a technical sense as a specific mode of experience within a typology of different spheres of experience. This study argues that Heidegger, Lacoue-Labarthe, and Nancy generalize the elements of this specific mode of experience so that the aesthetic attitude and the vocabulary used by Kant to describe it are brought to bear on things in general. The book goes beyond documenting the well-known influence of Kant's "Critique of Judgment," however, to open up a new way of approaching some of the central issues in post-Kantian thought--including why it is that art, the art work, and the aesthetic are still available as a vehicle of critique even, or especially, after Auschwitz. It shows that a genealogy of contemporary theory needs to look at the question of presentation, which has arguably been a question that has worried philosophy from its very beginning.

暂无相关目录，正在全力查找中！

暂无相关内容，正在全力查找中

暂无出版社相关信息，正在全力查找中！

暂无相关书籍摘录，正在全力查找中！

在线阅读地址：预售 英文预定 The Aesthetic Paths of Philosophy: Presentation in Kant, Heidegger, Lacoue-Labarthe, a在线阅读

在线听书地址：预售 英文预定 The Aesthetic Paths of Philosophy: Presentation in Kant, Heidegger, Lacoue-Labarthe, a在线收听

在线购买地址：预售 英文预定 The Aesthetic Paths of Philosophy: Presentation in Kant, Heidegger, Lacoue-Labarthe, a在线购买

暂无原文赏析，正在全力查找中！

书籍介绍

This book examines the ways that Heidegger, Lacoue-Labarthe, and Nancy adopt and reconfigure the Kantian understanding of "aesthetic presentation." In Kant, "aesthetic presentation" is understood in a technical sense as a specific mode of experience within a typology of different spheres of experience. This study argues that Heidegger, Lacoue-Labarthe, and Nancy generalize the elements of this specific mode of experience so that the aesthetic attitude and the vocabulary used by Kant to describe it are brought to bear on things in general. The book goes beyond documenting the well-known influence of Kant's "Critique of Judgment," however, to open up a new way of approaching some of the central issues in post-Kantian thought--including why it is that art, the art work, and the aesthetic are still available as a vehicle of critique even, or especially, after Auschwitz. It shows that a genealogy of contemporary theory needs to look at the question of presentation, which has arguably been a question that has worried philosophy from its very beginning.