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This book provides a comprehensive account of mosaics in the ancient world from the early pebble mosaics of Greece to the pavements of Christian churches in the East. Separate chapters in Part I cover the principal regi*** of the Roman Empire in turn, in order to bring out the distinctive characteristics of their mosaic workshops. Questi*** of technique and production, of the role of mosaics in architecture, and of their social functi*** and implicati*** are treated in Part II. The book discusses both well-known works and recent finds, and balances c***ideration of exceptional masterpieces against standard workshop production. Two main lines of approach are followed throughout: first, the role of mosaics as a significant art form, which over an unbroken span illuminates the evolution of pictorial style better than any comparable surviving medium; and secondly, their character as works of artisan production closely linked to their architectural context.

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This book provides a comprehensive account of mosaics in the ancient world from the early pebble mosaics of Greece to the pavements of Christian churches in the East. Separate chapters in Part I cover the principal regi*** of the Roman Empire in turn, in order to bring out the distinctive characteristics of their mosaic workshops. Questi*** of technique and production, of the role of mosaics in architecture, and of their social functi*** and implicati*** are treated in Part II. The book discusses both well-known works and recent finds, and balances c***ideration of exceptional masterpieces against standard workshop production. Two main lines of approach are followed throughout: first, the role of mosaics as a significant art form, which over an unbroken span illuminates the evolution of pictorial style better than any comparable surviving medium; and secondly, their character as works of artisan production closely linked to their architectural context.