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An English court in 1736 described *** as an accusation “easily to be made and hard to be proved, and harder to be defended by the party accused, though never so innocent. ”To prove the crime, the law required a woman to physically resist, to put up a “hue and cry,” as evidence of her unwillingness. Beginning in the 1970s, however, feminist and victim-advocacy groups began changing attitudes toward *** so the crime is now seen as violent in itself: the legal definition of *** now includes everything from the sadistic serial rapist to the eighteen-year-old who has c***ensual *** with a fourteen-year-old.

This inclusiveness means there are now more rapists among us. And more of ***’s camp followers: the prison-makers, the community watchdogs, law-and-order politicians, and the real-crime/real-time entertainment industry. Vanessa Place examines the ambiguity of *** law by presenting cases where guilt lies, but lies uneasily, and leads into larger ethical questi*** of what defines guilt, what is justice, and what is c***idered just punishment. Assuming a society can and must be judged by the way it treats its most despicable members, The Guilt Project looks at the way the American legal system defines, prosecutes, and punishes *** offenders, how this Dateline NBC justice has transformed our conception of who is guilty and how they ought to be treated, and how this has come to undo our deeper humanity

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An English court in 1736 described *** as an accusation “easily to be made and hard to be proved, and harder to be defended by the party accused, though never so innocent. ”To prove the crime, the law required a woman to physically resist, to put up a “hue and cry,” as evidence of her unwillingness. Beginning in the 1970s, however, feminist and victim-advocacy groups began changing attitudes toward *** so the crime is now seen as violent in itself: the legal definition of *** now includes everything from the sadistic serial rapist to the eighteen-year-old who has c***ensual *** with a fourteen-year-old.

This inclusiveness means there are now more rapists among us. And more of ***’s camp followers: the prison-makers, the community watchdogs, law-and-order politicians, and the real-crime/real-time entertainment industry. Vanessa Place examines the ambiguity of *** law by presenting cases where guilt lies, but lies uneasily, and leads into larger ethical questi*** of what defines guilt, what is justice, and what is c***idered just punishment. Assuming a society can and must be judged by the way it treats its most despicable members, The Guilt Project looks at the way the American legal system defines, prosecutes, and punishes *** offenders, how this Dateline NBC justice has transformed our conception of who is guilty and how they ought to be treated, and how this has come to undo our deeper humanity