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Since its first publication in 1937, this lucid and scholarly chronicle of the history of p***ography has been hailed as the classic work on the subject. No other book and no other author have managed to relate the aesthetic evolution of the art of p***ography to its technical innovati*** with such an absorbing combination of clarity, scholarship and enthusiasm. Through more than 300 works by such master p***ographers as William Henry Fox Talbot, Timothy O'Sullivan, Julia Margaret Cameron, Eugene Atget, Peter Henry Emerson, Alfred Stieglitz, Paul Strand, Alvin Langdon Coburn, Man Ray, Edward Weston, Dorothea Lange, Walker Evans, Ansel Adams, Brassai, Henri Cartier-Bresson, Harry C***n, Minor White, Robert Frank and Diane Arbus, author Beaumont Newhall presents a fascinating, comprehensive study of the significant trends and developments in the medium since the first p***ographs were made in 1839. New selecti*** added to the fifth edition include p***ographs made in color, from hand-tinted daguerreotypes of 1850 to turn-of-the-century autochromes by Edward Steichen, to works by contemporary masters such as Eliot Porter, Ernst Haas, William Eggleston, Stephen Shore and Joel Meyerowitz. Beaumont Newhall (1908-1993) was an influential curator, art historian, writer and p***ographer. In 1935 he became the Librarian at The Museum of Modern Art, New York. In 1940, he became the first Director of MoMA's P***ography Department. He served as Curator of the International Museum of P***ography at the Ge***e Eastman House from 1948 to 1958, then as its Director from 1958 to 1971. While at the Eastman House, Newhall was resp***ible for amassing one of the greatest p***ographic collecti*** in the world.

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Beaumont Newhall (1908–1993) was an influential curator, art historian, writer and p***ographer. In 1935 he became the Librarian at The Museum of Modern Art, New York. In 1940, he became the first Director of MoMA's P***ography Department. He served as Curator of the International Museum of P***ography at the Ge***e Eastman House from 1948 to 1958, then as its Director from 1958 to 1971. While at the Eastman House, Newhall was resp***ible for amassing one of the greatest p***ographic collecti*** in the world.

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Since its first publication in 1937, this lucid and scholarly chronicle of the history of p***ography has been hailed as the classic work on the subject. No other book and no other author have managed to relate the aesthetic evolution of the art of p***ography to its technical innovati*** with such an absorbing combination of clarity, scholarship and enthusiasm. Through more than 300 works by such master p***ographers as William Henry Fox Talbot, Timothy O'Sullivan, Julia Margaret Cameron, Eugene Atget, Peter Henry Emerson, Alfred Stieglitz, Paul Strand, Alvin Langdon Coburn, Man Ray, Edward Weston, Dorothea Lange, Walker Evans, Ansel Adams, Brassai, Henri Cartier-Bresson, Harry C***n, Minor White, Robert Frank and Diane Arbus, author Beaumont Newhall presents a fascinating, comprehensive study of the significant trends and developments in the medium since the first p***ographs were made in 1839. New selecti*** added to the fifth edition include p***ographs made in color, from hand-tinted daguerreotypes of 1850 to turn-of-the-century autochromes by Edward Steichen, to works by contemporary masters such as Eliot Porter, Ernst Haas, William Eggleston, Stephen Shore and Joel Meyerowitz. Beaumont Newhall (1908-1993) was an influential curator, art historian, writer and p***ographer. In 1935 he became the Librarian at The Museum of Modern Art, New York. In 1940, he became the first Director of MoMA's P***ography Department. He served as Curator of the International Museum of P***ography at the Ge***e Eastman House from 1948 to 1958, then as its Director from 1958 to 1971. While at the Eastman House, Newhall was resp***ible for amassing one of the greatest p***ographic collecti*** in the world.