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John C***table (1776-1837) is arguably the best-loved of English artists; his fame and popularity are rivalled only by his great contemporary, J M W Turner. But like Turner, his reputation rests on a handful of very well-known paintings, normally Suffolk scenes such as Flatford Mill or Hay-Wain. Many of the magisterial producti*** of his last years, including Hadleigh Castle and The Opening of the Waterloo Bridge are a far cry from the Suffolk scenes, whilst his accomplishments within the difficult and competitive genre of marine painting have been c***istently undervalued. Barry Venning's introduction c***iders C***table background, his family life, his education and the early friendships from which he drew patronage, *** and advice. He discusses the artist's relati***hip with the great tradition of European landscape painting and examines the historical and cultural context within which C***table lived and worked.

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John C***table (1776-1837) is arguably the best-loved of English artists; his fame and popularity are rivalled only by his great contemporary, J M W Turner. But like Turner, his reputation rests on a handful of very well-known paintings, normally Suffolk scenes such as Flatford Mill or Hay-Wain. Many of the magisterial producti*** of his last years, including Hadleigh Castle and The Opening of the Waterloo Bridge are a far cry from the Suffolk scenes, whilst his accomplishments within the difficult and competitive genre of marine painting have been c***istently undervalued. Barry Venning's introduction c***iders C***table background, his family life, his education and the early friendships from which he drew patronage, *** and advice. He discusses the artist's relati***hip with the great tradition of European landscape painting and examines the historical and cultural context within which C***table lived and worked.