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"Hindering the artist is a crime," wrote Egon Schiele in 1912. At the time he was in prison for disseminating immoral drawings. Throughout his work the note of defiance, provocation, and rebellion was sounded. Schiele's favorite subjects were female ***s and self-portraits, and he worked at his art with furious commitment, though it was not until shortly before his early death that he began to win real recognition. Today, with Oskar Kokoschka, he is seen as the most important of the Austrian artists who came after Klimt. This study examines the life and work of Egon Schiele through all the major oil paintings and many of his *** drawings.

作者简介：

Wolfgang Ge*** Fischer is an art historian, writer and art dealer. Ever since first exhibiting Egon Schiele in 1964, he has devoted his attention to classical Viennese Modernism, chiefly Schiele, Kokoschka, and Klimt, regularly showing thei***orks at his London gallery, Fischer Fine Art, and contributing with numerous publicati*** to the art-historical li***ture. He also contributed to the catalogue raisonné of Schiele's work and has written a monograph on Klimt`s partner, fashion designer Emilie Flöge.

Fighting Teachers and Society: A Brief Life

A Bird's-Eye View of the World

From Girl Child to Grande Dame

The Image of Humanity: Allegory and Unmasking

The Theatre of the Self

Withered Flowers and Dead Cities: Autumn Landscapes of the Soul

Egon Schiele-A Chronology

The Major Exhibiti***

Bibliography

Notes

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