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A source of endless fascination and speculation, the subject

of countless biographies, novels, and films, Elizabeth I is now

c***idered from a thrilling new angle by the brilliant young

historian Tracy Borman. So often viewed in her relati***hips with

men, the Virgin Queen is portrayed here as the product of women—the

mother she lost so tragically, the female subjects who worshipped

her, and the peers and intimates who loved, raised, challenged, and

sometimes opposed her.

In vivid detail, Borman presents Elizabeth’s bewitching mother,

Anne Boleyn, eager to nurture her new child, only to see her taken

away and her own life destroyed by ***ing allegati***—which taught

Elizabeth never to mix politics and love. Kat Astley, the governess

who attended and taught Elizabeth for almost thirty years, invited

disaster by encouraging her charge into a dangerous liaison after

Henry VIII’s death. Mary Tudor—“Bloody Mary”—envied her younger

sister’s popularity and threatened to destroy her altogether. And

animosity drove Elizabeth and her cousin Mary Queen of Scots into

an intense thirty-year rivalry that could end only in death.

Elizabeth’s Women contains more than an indelible cast of

characters. It is an unprecedented account of how the public

posture of femininity figured into the English court, the meaning

of costume and display, the power of fecundity and flirtation, and

how Elizabeth herself—long viewed as the embodiment of

feminism—shared popular views of female inferiority and scorned and

schemed against her underlings’ marriages and pregnancies.

Brilliantly researched and elegantly written, Elizabeth’s

Women is a unique take on history’s most captivating queen and

the dazzling court that surrounded her.

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Tracy Borman studied and taught history at the University of

Hull in England and was awarded a Ph.D. in 1997. She has worked for

various historic properties and national heritage ***anizati***,

including Historic Royal Palaces, the National Archives, and

English Heritage. She is now chief executive of the Heritage

Education Trust and is a regular contributor to history magazines,

such as BBC History Magazine, and a frequent guest on

television and radio.

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编辑推荐

“Tracy Borman is one of our finest historians. She has a passion

for history that illuminates her books, and writes with integrity,

humanity, and skill. Elizabeth’s Women offers brilliant new

insights into the shaping of the Virgin Queen. If you thought there

was nothing more that could be said about Elizabeth I, you will be

entranced by this original, masterly, and fascinating study of

***ects of her life that have hitherto been overlooked. This is

history as it should be written—and an invaluable aid to our

understanding of its subject. Elizabeth’s Women is definitely one

for my bookshelf!”—Alison Weir, New York Times bestselling author

of The Lady in the Tower

“The idea behind her book is genuinely inspired.”—John Guy, Sunday

Times (U.K.)

“Readable and fun.”—Leanda de Lisle, Li***ry

Review

“Borman’s book is innovative, full of rich, too often neglected

female characters.”—Lady Antonia Fraser

"Here we have a most remarkable and surprisingly fresh study of the

Virgin Queen that does nothing less than take the breath

away."—Historical Novels Review

"Crisply written and meticulously researched, this is

exceptional historical reporting. It is a brilliant piece of work

that is both accessible and groundbreaking."—tucsoncitizen.com,

"Shelflife"

"If you have any interest in the life of Elizabeth I, and in the

era in which she reigned, then Elizabeth's Women is a

fascinating must read...Don't miss it."--Booklo***.com

书籍介绍

A source of endless fascination and speculation, the subject of countless biographies, novels, and films, Elizabeth I is now c***idered from a thrilling new angle by the brilliant young historian Tracy Borman. So often viewed in her relati***hips with men, the Virgin Queen is portrayed here as the product of women—the mother she lost so tragically, the female subjects who worshipped her, and the peers and intimates who loved, raised, challenged, and sometimes opposed her.

In vivid detail, Borman presents Elizabeth’s bewitching mother, Anne Boleyn, eager to nurture her new child, only to see her taken away and her own life destroyed by ***ing allegati***—which taught Elizabeth never to mix politics and love. Kat Astley, the governess who attended and taught Elizabeth for almost thirty years, invited disaster by encouraging her charge into a dangerous liaison after Henry VIII’s death. Mary Tudor—“Bloody Mary”—envied her younger sister’s popularity and threatened to destroy her altogether. And animosity drove Elizabeth and her cousin Mary Queen of Scots into an intense thirty-year rivalry that could end only in death.

Elizabeth’s Women contains more than an indelible cast of characters. It is an unprecedented account of how the public posture of femininity figured into the English court, the meaning of costume and display, the power of fecundity and flirtation, and how Elizabeth herself—long viewed as the embodiment of feminism—shared popular views of female inferiority and scorned and schemed against her underlings’ marriages and pregnancies.

Brilliantly researched and elegantly written, Elizabeth’s Women is a unique take on history’s most captivating queen and the dazzling court that surrounded her.