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Directors operate behind the scenes, managing actors, establishing a cohesive creative vision, at times li***lly guiding our eyes with the eye of the camera. But we are often so dazzled by the visi*** on-screen that it is easy to f***et the individual who is off-screen orchestrating the entire production--to say nothing of their having marshaled a script, a studio, and other people's money. David Thomson, in his usual brilliantly insightful way, shines a light on the visionary directors who have shaped modern cinema and, through thei***ork, studies the very nature of film direction. With his customary candor about his own delights and disappointments, Thomson ***yzes both landmark works and f***otten films from classic directors such as Orson Welles, Alfred Hitchcock, Jean Renoir, and Jean-Luc Godard, as well as contemporary powerhouses such as Jane Campion, Spike Lee, and Quentin Tarantino. He shrewdly interrogates their professional legacies and influence in the industry, while simultaneously assessing the critical impact of an artist's personal life on his or he***ork. He explores the male directors' dominance of the past, and describes how diversity can change the landscape. Judicious, vivid, and witty, A Light in the Dark is yet another required Thomson text for every movie lover's shelf.

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D***ID THOMSON is the author of more than twenty-five books, including The Biographical Dictionary of Film, biographies of Orson Welles and David O. Selznick, and the pioneering novel Suspects, which was peopled with characters from film.

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Directors operate behind the scenes, managing actors, establishing a cohesive creative vision, at times li***lly guiding our eyes with the eye of the camera. But we are often so dazzled by the visi*** on-screen that it is easy to f***et the individual who is off-screen orchestrating the entire production--to say nothing of their having marshaled a script, a studio, and other people's money. David Thomson, in his usual brilliantly insightful way, shines a light on the visionary directors who have shaped modern cinema and, through thei***ork, studies the very nature of film direction. With his customary candor about his own delights and disappointments, Thomson ***yzes both landmark works and f***otten films from classic directors such as Orson Welles, Alfred Hitchcock, Jean Renoir, and Jean-Luc Godard, as well as contemporary powerhouses such as Jane Campion, Spike Lee, and Quentin Tarantino. He shrewdly interrogates their professional legacies and influence in the industry, while simultaneously assessing the critical impact of an artist's personal life on his or he***ork. He explores the male directors' dominance of the past, and describes how diversity can change the landscape. Judicious, vivid, and witty, A Light in the Dark is yet another required Thomson text for every movie lover's shelf.